Playwright · Actor · Director
Eric Olson is a playwright, actor, and director and a member of Iowa Stage Theatre Company's Resident Artist Company in Des Moines, Iowa. He is the architect of Iowa Stage's NewWorksLab, an in-development new-works program designed to move plays from early drafts through workshop production.
His plays investigate identity performance, confession under pressure, and the mythologies people build to survive each other. The work spans registers from screwball farce to intimate grief, sharing a common engine: characters who mistake witnessing for wisdom, who conflate surviving change with causing good, and who build stories that become cages for everyone who comes after them.
Coming to playwriting from acting, directing, and twenty years in professional theatre and communications work, his background shapes how he writes: thinking about what the actor needs to do, not just what the character needs to say.
Measure for Measure — as the Duke (Vincentio)
Iowa Stage Theatre Company, “Shakespeare on the Lawn” · Salisbury House & Gardens, Des Moines · July 15–19, 2026
Get TicketsDirecting Ken Ludwig’s Dear Jack, Dear Louise
Tallgrass Theatre Company, Des Moines · February 12–28, 2027
Tickets & InfoWaving Flags — Iowa Stage NewWorksLab
Staged reading June 15, 2026 · Workshop production January 2027
A father builds a myth around his daughter to keep her from the truth. The myth works — until it doesn't.
Set in and around a VFW hall in rural Texas, Waving Flags examines how family myth gets weaponized — and what it takes to survive the person who aimed it at you. One actor never appears live onstage.
Orlando Short Play Festival, selected (2008, original 10-min version) · Iowa Stage Theatre Company · NewWorksLab staged reading · June 15, 2026
An intimate exploration of observation, distance, and the stories we construct about lives we can only see from the outside.
Six actors. Eighteen roles. One dining room. The same dinner happens three times.
Three different families gather for a meal no one particularly wants. A wildfire burns in the canyon below. The actors rotate through the generational roles — suburban delusion, paranoid absurdity, burned-out entertainment — as the pressure builds to the same moment in every scene: the mother demands to know what the family thinks of her terrible cooking. Someone cracks. Confessions spill. The one lie that survives is the only one that matters.
Palm Springs International Playwriting Festival, finalist (2010)
A comedy in six courses.
The body of work in its most playful mode — asking whether genuine emotion can survive inside a performed identity. Structured as a six-course meal where the social performance of dinner becomes inseparable from the performances the characters are giving each other.
Palm Springs International Playwriting Festival, finalist (2008) · Iowa Stage Theatre Company, staged reading (2025)
Two men at lunch. One invents stories to make life sound interesting. The other can't stop looking for connection. Neither may be talking to the person they think they are.
Desert Theatre League, Best Original Short Play (2005)
A selection of roles across Iowa and Southern California.
Equus — Dr. Martin Dysart
Tallgrass Theatre Company · Des Moines, IA
One Flew Over the Cuckoo’s Nest — R.P. McMurphy
Palm Canyon Theatre · Palm Springs, CA
Waiting for Godot — Estragon
La Quinta Playhouse · La Quinta, CA
The Seagull — Dorn
Iowa Stage Theatre Company · Des Moines, IA
God of Carnage — Michael Novak
Desert Ensemble Theatre Company · Palm Springs, CA
Oleanna — John
Tallgrass Theatre Company · Des Moines, IA
Trouble in Mind — Al Manners
Iowa Stage Theatre Company · Des Moines, IA
Straight White Men — Drew
Stagewest Theatre Company · Des Moines, IA
Monty Python’s Spamalot — Galahad
Coronado Playhouse · San Diego, CA
Around the World in 80 Days — Phileas Fogg
Des Moines Playhouse · Des Moines, IA
A Few Good Men — Sam Weinberg
Palm Canyon Theatre · Palm Springs, CA
Lend Me a Tenor — Max
La Quinta Playhouse · La Quinta, CA